pentimento (pĕnˌtəmĕnˈtō) [key], painter’s term for the evidence in a work that the original composition has been changed.
Despite my good intentions, there was no beauty in the outer lines. The peace I so longed to paint upon the canvas held the jarring discord of the reality. I did not know how to bring peace within the relationship this mandala represented. I did not feel direction in how to breech that barrier. Imposed hope, unwanted judgments clashed as colours and line created dissonance. Only the centre held promise.
How the urge to flight, to run away from what I couldn’t seem to fix held me! Throw the canvas away! Repaint the background to obscure the creative mess! What good are intentions if the product is flawed?
I was stopped by the centre, the seed and ground of my own heart. Green radiating from the spiral spoke to me.
I raised my paint brush and began to recolour some lines. As I did, it struck me. This mandala was walking me through the inner labyrinth. This time on the journey was the walk toward the centre, that time of Release, the emptying to make room for the changed. The past could not be undone but colours and lines could be revisioned by letting go of what needed change.
I chose the colours that were darker for the heaviness of their pigments. Spiralling upward as layers obscured the colours and line below. I prepared for what will come by letting go.
It is not finished. Releasing is a spiralling process in time. It will come as I take the steps I can see. Each will draw me to that place of Revelation which will lead me to Return to the place of serving more deeply again. It will not be what was. It will have a new beauty.
I look at the mandala and see raised shadows as the only evidence of what had once been.
Only the centre remains.
**Credit to Heather Plett for teaching me the stages of a labyrinth
**Credit to Info Please for the wording in the definition of pentimento.